2021년 7월 1일, 네덜란드의 작곡가 루이스 안드리센 / 루이 안드리선 (Louis Andriessen, 1939 ~ 2021) 별세
루이 안드리선 (네: Louis Andriessen, 1939년 6월 6일 ~ 2021년 7월 1일)는 네덜란드의 클래식 작곡가이다.
– 루이 안드리선 (Louis Andriessen)
.출생: 1939년 6월 6일, 네덜란드 위트레흐트
.사망: 2021년 7월 1일(82세), 네덜란드 베이스프
.국적: 네덜란드
.직업: 작곡가, 음악가, 피아니스트
.부모: 헨드릭 안드리선, 요한나 앤슈츠
.배우자: 모니카 거미노 (2012~2021년), 지네트 야니키안 (1996~2008년)
네덜란드의 피아니스트이며 클래식 작곡가 음악가의 가족에서 태어났다.
루이 안드리선의 아버지의 헨드릭 안드리선 (1892 ~ 1981) 작곡가이며 어머니는 요한나 앤슈츠 (1898 ~ 1975)이다.
1959년에 과데아무스 국제작곡가 상을 받았다.
2011년에는 그로마이어 작곡상을 받았다.
○ 수상
1959 Gaudeamus International Composers Award
1977 Matthijs Vermeulen Award for De Staat
1977 UNESCO International Rostrum of Composers in Paris
1992 Matthijs Vermeulen Award for M. is for Man, Music and Mozart; Facing Death, Dances, Hout en Lacrimosa
1993 Edison Award
2010 Honorary doctorate from the Birmingham City University
2011 Grawemeyer Award for Music Composition for the multimedia opera La Commedia (2004–2008).
2016 Marie-Josée Kravis Prize for New Music
2019 Honorary doctorate from the University of Amsterdam
○ Works
Rondo Barbaro (1954) for piano
Sonata (1956) for flute and piano (dedicated to Lucas van Regteren Altena)
Elegy (1957) for cello and piano
Elegy (1957) for double bass and piano (arrangement by Quirijn van Regteren Altena)
Nuit d’été (1957) for piano four hands
Quartet in two movements (1957) for string quartet
Séries (1958) for 2 pianos
Nocturnen (1959) (text by the composer) for 2 sopranos, orchestra (dedicated to Jeanette Yanikian)
Percosse (1959) for flute, trumpet, bassoon and percussion
Prospettive e Retrospettive (1959) for piano
Trois Pièces (1961) for piano left hand
Aanloop en sprongen (1961) (Rincorsa e salti) for flute, oboe and clarinet in Bb
Ittrospezione I (1961) for piano 4 hands
Joli commentaire (1961) for piano 4 hands
Paintings (1961) for one flutist (or recorder player) and one pianist
Étude pour les timbres (1962) for piano
Triplum (1962) for guitar (dedicated to Jeanette Yanikian)
Canzone 3 (Utinam) (1962) for voice and piano
Constructions for a Ballet (1962, revision 2009) for orchestra, including Ondine, timbres voor orkest
Plein-chant (1963) for flute and harp (dedicated to Eugenie van des Grinten and Veronica Reyns)
Ittrospezione II (1963) for large orchestra
Sweet (1964) for alto (treble) recorder (dedicated to Frans Brüggen)
Registers (1963) for piano
A flower song II (1964) for oboe solo
A flower song III (1964) for violoncello solo
Ittrospezione III (Concept II) – Fragment (1965) tenor saxophone ad libitum, 2 pianos (section of Ittrospezione III [Concept II]; may be performed separately)
Beatles Songs (1966) (satirical arrangements of four Beatles songs) for female voice and piano
Souvenirs d’enfance (1954–1966) for piano. Including amongst others: Nocturne, Ricercare, Allegro Marcato, As you like it, Blokken, Strawinsky, Rondo opus 1, Étude pour les timbres, dotted quarter note = 70
Rage, rage against the dying of the light (1966) for 4 trombones
Anachronie I (1966–67) for large orchestra
The Garden of Ryoan-gi (1967) for 3 electronic organs
Worum es ging und worum es geht (1967) (with Misha Mengelberg) for orchestra
Contra tempus (1967–1968) for large ensemble
Choralvorspiele (1969) for barrel organ
Anachronie II (1969) for oboe, small orchestra (4 horns, harp, piano, strings)
Hoe het is (1969) for 52 strings and live electronics
Sonate op. 2 nr. 1 (1969) for piano with interruptions from string quartet (based on Piano Sonata No. 1 by Ludwig van Beethoven)
Reconstructie nl (with Reinbert de Leeuw, Misha Mengelberg, Peter Schat, Jan van Vlijmen; libretto by Hugo Claus, Harry Mulisch) Morality opera for soloists, 3 mixed choruses (4 voices each), orchestra (11 winds, 7 brass, 2 guitars, 11 keyboards, 10 strings), live electronics
De negen symfonieën van Beethoven (1970) for ice cream bell, orchestra
Spektakel (1970) for improvisational ensemble (saxophone [+ bass clarinet], viola, bass guitar, electronic organ [+ piano], percussion [or other instruments]), small orchestra (12 winds, 4 horns, 6 percussion)
Vergeet mij niet (1970) (Forget me not) for oboe
Le voile du bonheur (1966–1971) for violin and piano
een, twee (1971) for organ, 10 instrumentalists and piano
In Memoriam (1971) for tape
Volkslied (1971) for an unlimited number and kinds of instruments (in all octaves) (based on the Dutch national anthem Wilhelmus van Nassouwe and on The Internationale)
De Volharding (1972) (Perseverance) for piano and wind instruments (written for Orkest de Volharding)
Dat gebeurt in Vietnam (1972) (That’s going on in Vietnam) for wind ensemble
Arrangement of Solidaritätslied by Hanns Eisler (1972) for wind ensemble
Arrangement of Streikslied by Hanns Eisler (1972) for wind ensemble
Arrangement of In C by Terry Riley (1972) for wind ensemble
Arrangement of Solidaritätslied by Hanns Eisler (1972) for wind ensemble
Arrangement of Streikslied by Hanns Eisler (1972) for wind ensemble
Arrangement of In C by Terry Riley (1972) for wind ensemble
Arrangement of Bereits sprach der Welt by Hanns Eisler (1972) for wind ensemble
Arrangement of Tango by Igor Stravinsky (1972) for wind ensemble
Arrangement of La création du monde by Darius Milhaud (1972) for wind ensemble
Thanh Hoa (1972) (text by Nguyen Thai Mao) for voice and piano
Canzone 3: Utinam (1972) (text from the Book of Job) for soprano, piano, 1962; Thanh Hoa (text by Nguyen Thay Mao), voice, piano
On Jimmy Yancey (1973) for 9 winds, piano and double bass (written for Orkest de Volharding)
Voor Sater (1973) for wind ensemble
Amsterdam Vrij (1973) for wind ensemble
Il Duce (1973) for tape
The family (1973) for ensemble (film music)
Melodie (1972–1974) for alto recorder (or other flute) and piano
Arrangement of Ipanema and Gavea from Saudades do Brasil by Darius Milhaud (1974) for wind ensemble
Il Principe (1974) (text by Niccolò Machiavelli) for 2 mixed choruses, 8 winds, 3 horns, tuba, bass guitar, piano
Wals (1974) for piano
Symfonieën der Nederlanden (1974) for 2 or more symphonic bands (minimum 32 players)
Nederland, let op uw schoonheyt (1975) for symphonic band
Workers Union (1975) for any loud-sounding group of instruments
De Staat (1972–76) (text by Plato) for 2 sopranos, 2 mezzo-sopranos, 4 oboes (3rd, 4th + English horn), 4 horns, 4 trumpets, 3 trombones, bass trombone, 2 harps, 2 electric guitars, 4 violas, bass guitar, 2 pianos[9] (also transcribed for two pianos in 1992 by Cees van Zeeland and Gerard Bouwhuis)
Mattheus passie (1976) (text by Louis Ferron) Music theatre work for 8 mixed voices, 2 oboes (both + English horn), Hammond organ, string quartet, double bass
Hoketus (1975–76) for 2 panpipes, 2 alto saxophones ad libitum, 2 bass guitars, 2 pianos, 2 electric pianos, 2 congas
Orpheus (1977) (text by Lodewijk de Boer) Music theatre work for 8 mixed voices, lyricon, electric guitar, bass guitar, synthesizer, percussion
Symphonie voor losse snaren (1978) for 12 strings
Laat toch vrij die straat (1978) (text by Jaap van der Merwe) for voice and piano
Hymn to the Memory of Darius Milhaud (1978) (version of chamber work)
Felicitatie (1979) for 3 trumpets
Toespraak (1979) for speaker who also plays trombone
Mausoleum (1979 rev. 1981) (texts by Mikhail Bakunin, Arthur Arnould) for 2 high baritones, orchestra (12 brass, 2 harps, cimbalom, 2 pianos, 2 percussion, minimum 10 strings, bass guitar)
Music for the film The Alien (1980) (Rudolf van den Berg)
George Sand (1980) (text by Mia Meyer) Music theatre work for 8 mixed voices, 4 pianos
Un beau baiser (1980) for mixed chorus
Messe des pauvres by Erik Satie, arrangement by Louis Andriessen for choir, 15 solo strings, accordion, contrabass clarinet and harp (1980)
Ende (1981) for 2 alto recorders (1 player) (dedicated to Frans Brüggen)
Anfang (1981) for sopranino recorder and piano
De Tijd (1979–81) (text by St. Augustine of Hippo) for female chorus, percussion ensemble, orchestra (6 flutes, 2 alto flutes, 3 clarinets, contrabass clarinet, 6 trumpets, 2 harps, 2 pianos, Hammond organ, strings, 2 bass guitars)
Commentaar (1981) (text by Wilhelm Schön) for voice and piano
La voce (1981) (to a text by Cesare Pavese) for cello and voice
Disco (1982) for violin and piano
Overture to Orpheus (1982) for harpsichord
De Snelheid (1982–83 rev. 1984) for 3 amplified ensembles
Y después (1983) (text by Federico García Lorca) for voice and piano
Menuet voor Marianne (1983) for piano
Trepidus (1983) for piano
Doctor Nero (1984) Music theatre work
Berceuse voor Annie van Os (1985) for piano
De Lijn (1986) for 3 flutes
Dubbelspoor (1986 rev. 1994) Ballet music for piano, harpsichord, celesta, glockenspiel
De Materie (1984–88) (texts from the Plakkaat van Verlatinge, Nicolaes Witsen, David Gorlaeus, Hadewijch, M.H.J. Schoenmaekers, Madame van Domselaer-Middelkoop, Willem Kloos, Marie Curie, Françoise Giroud). Music theatre work for soprano, tenor, 2 female speakers, 8 amplified mixed voices, amplified orchestra (15 winds, 13 brass, harp, 2 electric guitars, 2 pianos [one + electric piano], off-stage upright piano, celesta, 2 synthesizers, 6 percussion, minimum 9 strings, bass guitar. Two of its four sections may be performed separately as concert works: Hadewijch, De Stijl
De Toren (1988, rev. 2000) for carillon
Nietzsche redet (1989) (text by Friedrich Nietzsche) for speaker, alto flute, English horn, clarinet, bass clarinet, bassoon, 2 violins, viola, 2 celli, double bass, 2 pianos
Flora Tristan (1990) for mixed choir a cappella (text by Fleur Bourgonje)
Facing Death (1990) for amplified string quartet
Facing Death (1990) for saxophone quartet (arrangement by Aurelia Saxophone Quartet)
Dances (1991) (text by Joan Grant, choreography by Bianca van Dillen) For soprano, small orchestra (amplified harp, amplified piano, percussion, strings). May be performed as a concert work.
M is for Man, Music, Mozart (1991) (texts by the composer, Jeroen van der Linden, Peter Greenaway) for female jazz voice, flute (+ piccolo), soprano saxophone, alto saxophone, tenor saxophone, horn, 3 trumpets, 2 trombones, bass trombone, double bass, piano (TV score; may be performed as a concert work with one additional song)
Lacrimosa (1991) for 2 bassoons
Lacrimosa (1991) for 2 flutes (arrangement by Manuel Zurria)
Hout (1991) for tenor saxophone, electric guitar, piano and marimba (+ woodblocks)
Romance voor Caecilia (1991) for piano
Nadir en Zenit (1992) improvisations on poems by Sybren Polet for voice and piano (+ synthesizer)
…not being sundered (1992) (text by Rainer Maria Rilke) for soprano, flute, cello
Song Lines (1992) for 3–6 saxophones
Deuxième chorale (1992) for music box
The Memory of Roses (1992) for piano (+ toy piano)
Chorale (1992) for piano
M is Muziek, Monoloog en Moord (1993) (text by Lodewijk de Boer) Music theatre work
Lied (1993) for piano
Rosa – A Horse Drama: The Death of a Composer (1993–94) (libretto by Peter Greenaway) Opera for 2 sopranos, tenor, 2 baritones, female speaker, 8 mixed voices, orchestra.
Een lied van de zee (1994) (text by Hélène Swarth) for female voice
Zilver (1994) for flute, clarinet, violin, cello, piano, vibraphone and marimba
Base (1994) for piano left hand
Odysseus’ Women (1995) (text by Homer, choreography by Beppie Blankert) for 2 sopranos, 2 altos, sampler
De komst van Willibrord (1995) for carillon
To Pauline O (1995) for oboe
Machmes Wos (1996) for voice, piano
Trilogie van de Laatste Dag (1996–97) (each of its three sections may be performed separately: (i) The Last Day (texts by Lucebert, folksong A Woman and Her Lass) for boy soprano, 4 male voices, orchestra; (ii) TAO (texts by Laozi, Kotaro Takamura) for 4 female voices, piano [+ voice, koto], small orchestra [5 winds, 2 horns, harp, piano (+ celesta), 2 percussion, minimum 14 strings]; (iii) Dancing on the Bones (text by the composer) for children’s chorus, orchestra, 1997)
De herauten (1997) for 3 horns, 3 trumpets, 3 trombones, tuba, timpani
Not an Anfang (1997) for piano
De eerste minnaar (1998) (text by Toon Tellegen) for boy soprano, organ, 1998 (section of music theatre work Oldenbarneveldt; may be performed as a concert work)
Tuin van Zink (1998) for viola and live electronics
Writing to Vermeer (1997–99) (libretto by Peter Greenaway) Opera for 2 children’s voices, 2 sopranos, mezzo-soprano, female chorus, orchestra (7 winds, 2 horns, 2 trumpets [2nd + bass trumpet], 2 harps, 2 electric guitars, cimbalom, 2 pianos, on-stage harpsichord, 2 percussion, minimum 22 strings),[9] CD (music by Michel van der Aa)
Woodpecker (1999) for percussion
Image de Moreau (1999) for piano
Dirck Sweelinck Missed the Prince (1999) for harpsichord
Passeggiata in tram in America e ritorno (1999) (text by Dino Campana) for female Italian voice, violin and piano
What Shall I Buy You, Son? (2000) for voice, piano
Boodschappenlijstje van een gifmengster (2000) (text by the composer) for vocalist (also writes), voice (may be performed as Shopping List of a Poisoner [translated by Nicoline Gatehouse]
Inanna’s Descent (2000) for mezzo-soprano, piccolo, oboe, violin, piano, 2 percussion ensembles (4–12 total players)
The New Math(s) (2000) (text by Hal Hartley) for soprano, transverse flute, violin, marimba, CD (music by Michel van der Aa), 2000 (film score; may be performed as a concert work)
Feli-citazione (2000) for piano
Passeggiata in tram in America e ritorno (2001) (text by Dino Campana) for female Italian voice, 3 trumpets, 3 trombones, electric guitar, electric violin, double bass, piano, percussion, 1998 (also version for voice, flute, horn, 3 trumpets, 3 trombones, amplified violin, double bass, piano
De vleugels van de herinnering (2001) (text by Larissa Tiginachvili [Dutch translation]) for voice, piano
Fanfare om te beginnen (2001) for 6 groups of horns
La Passione (2000–02) (text by Dino Campana) for female jazz voice, violin, small orchestra (7 winds, 7 brass, electric guitar, cimbalom, 2 pianos, synthesizer, 2 percussion, 3 violins, bass guitar)
Very Sharp Trumpet Sonata (2002) for trumpet
Tuin van Eros (Garden of Eros) (2002) for string quartet
Klokken voor Haarlem (Bells for Haarlem) (2002) for piano, celesta, synthesizer, vibraphone (+ glockenspiel)
Pupazzetti by Alfredo Casella, arranged by Louis Andriessen for ensemble in 2002–2003
Inanna (2003) texts by Hal Hartley, Theo J.H. Krispijn) for 4 voices, 3 actors, mixed chorus, contrabass clarinet, 4 saxophones, violin, film (by Hal Hartley)
Letter from Cathy (2003) (text from a letter by Cathy Berberian to the composer) for female jazz voice, harp, violin, double bass, piano, percussion
Tuin van Eros (2003) for violin and piano
RUTTMANN Opus II, III, IV (2003) for flute, 3 saxophones, horn, 3 trumpets, 3 trombones, double bass, piano (film music for a film of Walter Ruttman, written for the Filmmuseum Biennale 2003)
Haags Hakkûh (The Hague Hacking) (2003) for 2 pianos. Renamed to Haags Hakkûh Stukje (The Hague Hacking Scrap) in 2008.
Racconto dall’inferno (2004) (text by Dante Alighieri) for female jazz voice, small orchestra (8 winds, 6 brass, guitar, cimbalom, 2 pianos, 2 percussion, minimum 8 strings, bass guitar). Part II of La Commedia (2004–08).
De Opening (2005) for ensemble (combined Orkest de Volharding, ASKO Ensemble, Schoenberg Ensemble)
Vermeer Pictures (2005) concert suite for orchestra from Writing to Vermeer (arrangement by Clark Rundell)
XENIA (2005) for violin
Hymn to the memory of Darius Milhaud for ensemble (1974/2006)
Hellende Fanfare (Inclined fanfare; Fanfara inclinata) (2006) for voice and ensemble (Text by Dino Campana)
Raadsels (Riddle) (2006) for solo violin
Johann Sebastian Bach’s Prelude in b minor from the Well-Tempered Clavier BWV 866, arranged for string quartet with the first six bars augmented with a viola part by Igor Stravinsky, completed by Louis Andriessen (2006)
..miserere… (2006–07) for string quartet
The City of Dis or: The Ship of Fools (2007) for voices and ensemble. Part I of La Commedia (2004–08).
La Commedia (2004–08).[9] Film opera in five parts (texts by Dante and Vondel and from the Old Testament)
Haags Hakkûh (The Hague Hacking) (2008) for two pianos and large ensemble
Christiaan Andriessens uitzicht op de Amstel (Christiaan Andriessen’s view on the river Amstel) (2009) for ensemble
Life (2009) for ensemble, with film by Marijke van Warmerdam
Anaïs Nin (2009/10) for singer, ensemble and film
La Girò (2011), for violin solo and ensemble
Mysteriën (2013), for orchestra
Tapdance (2013), concerto for percussion and large ensemble
Two way ticket (2014), for piano
Theatre of the World (2013–15), a ‘grotesque stagework’ in nine scenes (Libretto by Helmut Krausser)
Mach’s mit mir, Gott (Do unto me, God) (2016), for organ
Signs and Symbols (2016), for wind ensemble and percussion
Ahania Weeping (2016), for mixed chorus
De goddelijke routine (The divine routine) (2017), for organ
Rimsky or La Monte Young (2017), for piano
Agamemnon (2017), for speaker and large orchestra
Searching for unison (étude) (2018), for piano
The Only One (2018), song cycle for female jazz singer and large ensemble, dedicated to Nora Fischer, who premiered the work at The Proms 2019
May (2019), for choir and orchestra
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